Lot 87
Emil Armin
(1883-1972)
Chicago, 1930
watercolor on paper
Born in Radautz, Austria, later Romania, Emil Armin settled in Chicago, Illinois in 1905 and became an oil painter, printmaker and sculptor in wood. Armin studied at the School of the Art Institute of Chicago's evening classes under Dudley Crafts Watson, Randall Davey and George Bellows. Between 1922 and 1949 he exhibited his works at the Art Institute annuals and was involved in the No-Jury Society, organized in 1922. At that time he was immersed in Chicago's bohemian 57th Street Art Colony and he experimented with sculpture and decorative arts as a member of the Chicago Society of Artists. He taught at Chicago's Hull House (1925-26) and did cartoons full of angular forms and a particular method of shading and "zigzag outlining" taken from German Expressionist masters, for the Chicago Literary Times, a journal created by Maxwell Bodenheim and Ben Hecht. Samuel Putnam, a critic for the Chicago Evening Post (21 September 1926) regarded Armin as "perhaps the most finely sensitized artist in Chicago . . . with the soul of a peasant and the mind of a philosopher."
Stimulated by the encouragement of Bellows and Davey to paint that which inspired him and not that which pleased some academic, Armin developed a mature style that reflected his Romanian Jewish background with his craftsman father but focused on his native city of Chicago. He wrote: "I found the characteristics of the environment I live in expressed in my work, I found the steel ribs of the tall towers in the construction of my compositions, the earth being pushed up out of the lake for an outer drive in the texture of the paint and the whistlings, screeches, electric flashes, whirrings and fast motion mixed with sunlight contained in the light of the paint. Environment speaks; and I have come to know myself as a natural expressionist for I hear, see and vibrate, without any special effort"...(Kennedy 85)
Sources:
Louise Dunn Yochim, Role and Impact: The Chicago Society of Artists
Elizabeth Kennedy, Chicago Modern 1893-1945
8 3/4"H x 13"W (sight) 14 3/4"H x 19 1/2"W (frame)
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Condition:
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