Description:

James Abbott McNeill Whistler
American, (1834 - 1903)
Fulham, 1878
etching on imitation japon, State ii/ii (as completed)
Signed in the plate with the butterfly. Merrill Chase Galleries label and COA verso.

This study of the Thames was drawn from just outside Whistler's house in Lindsay Row. Old Battersea Bridge is in the foreground and the Albert Bridge is in the distance. The composition is reversed. The style of the plate is characteristic of Whistler's Thames Views in the late '70's. By this date his line was much more open than in the earlier Thames Set, the forms more `floating' and the open surface of the sheet creating the source of light. It was just this style which he was to develop more fully in the Venetian Studies.

Biography from the Archives of askART: Born in Lowell, Massachusetts, James Whistler became one of the most influential late 19th-century American painters and etchers, although he lived primarily in England. He worked in a wide variety of styles that included Impressionism, Symbolism, and Art Nouveau. He was especially influential in the Tonalist movement and was a catalyst for those who wanted to break away from prescribed academic methods, credited with being the first American modernist to influence European art.

He also created 179 lithographs, having received a commission in 1879, and from that time, he worked in graphics, pastel, and watercolor, and favorite subjects were subtly delineated cityscapes or ships at docks.

He was raised both in New England and in Russia where his father, an engineer, was commissioned by the Czar to build the Moscow-St. Petersburg railroad. In 1847, Whistler went to London for his sister's wedding to Seymour Haden, a key figure in 19th century etching, and association with this man stimulated Whistler's interest in that medium.

After the father's death in 1849, the family returned to the United States, and he entered the Military Academy at West Point where he did illustrations for student publications and also worked as surveyor and cartographer in U.S. Coastal and Geodetic Surveys.

In 1855, determined to have a fine art career, he sailed for Europe and never returned to the United States. He studied in Paris with Charles Gleyre and became a part of avant-garde circles that included Henri Fantin-Latour, Alphonse Legros, Edouard Manet, Gustave Courbet, and Edgar Degas. In 1859, he settled in England but stayed in close touch with his Parisian friends.

His style was independent of realism and of those such as John Ruskin who thought art should have a moral purpose. To many his paintings were a mystery because they seemed dreamy, abstract, and somewhat ghost-like. For some of his works, he chose musical titles to remove them from narrative context.

Ruskin accused him of doing paintings that were like "flinging a pot of paint in the public's face," and the two faced each other in court when Whistler sued Ruskin for damages. Whistler won the lawsuit but was awarded only one farthing, which left him financially broke and bitter. However, he gained a lot of attention and positive recognition.

Source:
Matthew Baigell Dictionary of American Art

  • Dimensions: 5 1/4"H x 8"W(plate), 17"H x 19 5/8"W(frame)
  • Medium: etching on imitation japon, State ii/ii (as completed)

Accepted Forms of Payment:

ACH, American Express, Discover, MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer

Shipping

Shipping and removal are the sole responsibility of the buyer. Shipping is available by request through a third party shipping service, Shipping Saint. Please contact our office if you would like to arrange your own shipping. Buyers will not automatically receive a shipping invoice. You will be sent a separate invoice for shipping once your initial invoice is paid and your items are packed and ready to ship. Shipping is invoiced via Shipping Saint and cannot be combined with your auction invoice.
Shipping Saint can be contacted at [email protected] or via phone, 317-644-6088.
PICKUP: Pickup is by appointment only. Items are subject to storage fees if they are not removed from premises within 10 business days. If items require shipping, arrangements and removal must be completed within 15 business days.

November 22, 2025 11:00 AM EST
Indianapolis, IN, US

Ripley Auctions

You agree to pay a buyer's premium of 25% and any applicable taxes and shipping.

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $49 $5
$50 $99 $10
$100 $199 $20
$200 $499 $25
$500 $999 $50
$1,000 $2,999 $100
$3,000 $4,999 $200
$5,000 $9,999 $500
$10,000 $29,999 $1,000
$30,000 + $2,500