Description:

Radomir Dvorak
Czech Republic, (b. 1959)
Salome, 1990
polychrome wood
Incised signature and date on base.

There is a split in the neck which would need restoration.

Biography from CuratorSpace.com: Radomír Dvorák's work consists mainly of sculptures made of wood and stone, but he also occasionally works with other materials, such as bronze, copper, concrete, paper and textiles. His practice is characterised by a permanent search for new shapes and subsequent experimentation. He is influenced by historical patterns, whilst incorporating his own artistic views.

Radomír Dvorák has been creating work which addresses the fake news and conspiracies that have arisen as a result of the pandemic, in particular the wide-spread news that smoking provides protection against coronavirus. As a wood and stone carver, Dvorák is no stranger to wearing masks to protect himself from contaminants, so lung health is of particular interest to him. He is also interested in the way that people create stories to make sense of the world, and tries to capture their humorous and satirical essence. An example of this is his 'National Monument of Eavesdropping', directly related to the literary work of Jaroslav Hašek.

He is exhibiting his current work in the ongoing group exhibition, 'Umení za casu koronaviru' (Art in the Time of Coronavirus), organised by Galerie mesta Trince in the Czech Republic. The exhibition attempts to answer the question: 'Are these days of social distancing a blessing in disguise when it comes to inspiration, art-making and mastering new techniques?' The exhibition promotes social inclusion, as both professional artists and amateurs are taking part, thus making space for a fresh dialogue.

  • Dimensions: 25"H x 20"D x 11"W
  • Medium: polychrome wood

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January 25, 2025 11:00 AM EST
Indianapolis, IN, US

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