Great Estates Fine Art Auction

1: After Albrecht Durer, (1471-1528), The Knight, Death, and the Devil, etching on papier vergé, 9 1/2"H x 7 1/2"W (sight), 19"H x 15"W (frame)

2: After Albrecht Durer (1471-1528), The Four Horsemen of the Apocalypse, heliogravure on laid, paper. 17 1/2"H x 11 1/2"W (sight), 24"H x 18"W (mat)

3: After Claude Lorrain, French (1600-1682), Vue du Temple de Vénus, etching, 13 1/4"H x 15 3/4"W (plate), 16"H x 19"W (sheet)

4: Herman van Swanevelt, Dutch (c.1600 - 1655), landscape with fishermen / Inn at the Prima Porta / Pope Julius' Estate / ruins of Heisterbach abbey /, 4 etchings, 7 1/4”H x 10 1/4”W (sight), 13 3/4”H x 19 3/4”W (mat) (larg

5: After Rembrandt Van Rijn, Dutch (1609-1669), nude back, etching, 6 1/2"H x 5 1/2"W(sight), 13 3/4"H x 12"W(frame)

6: Rembrandt van Rijn (1606-1669), after; Amand Durand’s late 19th c. etching of The Serpent Enticing Adam and Eve by Rembrandt 12 1/4"H x 10"W(sight), 25"H x 22 1/4"W(frame)

7: Rembrandt van Rijn, Netherlands (1606-1669), Jan Uytenbogaert, Preacher, 1635, drypoint and etching on laid paper, 9"H x 7 1/2"W (plate), 19"H x 15"W (frame)

8: After Rembrandt van Rijn, Netherlands (1606-1669), Self-Portrait as a Young Man with Hat, 1873 / The Flight into Egypt, 1873 / The Quack, 1873, dry-point etching on japon, 5 1/4"H x 4 1/8"W (sheet), 12 1/4"H x 9 3/4"W (m

9: After Rembrandt van Rijn, Dutch (1606-1669), Christ Before Pilate: the large plate, 1639, heliogravure on papier vergé, 21"H x 17 1/4"W (plate), 30"H x 22 1/2"W (sheet)

10: Anthonie Waterloo, Dutch (1609-1690), landscape with path and fence at the forest's edge, impression on laid paper, 8 3/4"H x 11 3/4"W (sheet), 11"H x 14"W (mat)

11: Jan Adriaensz Staveren, Dutch School (circa 1625-after 1668), a hermit kneeling in prayer in a cave, oil on panel, 14"H x 10 3/8"W, 20 5/8"H x 17"W (frame)

12: After Salomon Koninck, (Dutch ca.1635) by L. Schunzel, German (19th century), The Hermit, oil on canvas, 30 3/4"W x 24 1/2"W(sight), 38 1/4"H x 31 3/4"W(frame)

13: Nova Hispania et Nova Galicia, early and important map of Mexico, 1633, copper engraving on laid paper, 14 1/4"H x 19 1/4"W (sight), 18 5/8"H x 23 1/2"W (frame)

14: Les Essais, Vol. III, Michel de Montaigne, at C. Journel, Paris, 1659 6"H x 3 1/2"W

15: Bernard Picart, France (1673-1733), Portrait of Oliver Cromwell, 1728, engraving on laid paper, 10 1/2"H x 7 1/4"W (plate), 15"H x 11 1/2"W (frame)

16: Anton Joseph von Prenner, Austrian (1683 – 1761), interior of a church, copper engraving on laid paper, 6 1/2"H x 9"W (sheet), 11 3/4"H x 14 1/8"W (mat)

17: William Hogarth, British (1697-1764), Portrait of Martin Folkes Esquire, 1742, engraving and etching, 13 1/16"H x 9 3/8"W (plate), 22"H x 18"W (sheet)

18: Group of three 17th-century prints, including a portrait of the French King Henri III, 12 1/4"H x 8 1/4"W (sheet) (largest)

19: After François Boucher by Pierre Soubeyran, Swiss (1709-1775), La Belle Villageoise, etching on thick laid paper, 19"H x 14"W (sheet), 22"H x 16"W (mat)

20: Claude-Joseph Vernet, Italy / France (1714-1789), The Shipwreck, oil on panel, 13 1/2"H x 17 1/2"W, 19 3/4"H x 23 3/4"W (frame)